May 082012
 

Maurice Sendak, the guy who wrote the iconic WHERE THE WILD THINGS ARE died recently. It was reported today, but I’m not sure when it happened, and for the purposes of this post, it doesn’t matter. What matters is that he was an author that was beloved by a very great many people.

I liked the book. I didn’t love it the way that it is obvious that many people did, but I liked it. Ever since it was read to us in school, way back in the days of story time and laboriously hand-printing individual letters out on broad-lined paper, I’ve liked the book.

So when I mentioned briefly, over the lunch table today, I expected to hear things like, “Oh, wow. I used to really like that book.” Or, “I still love that book.” I’d have even been happy with, “I’ve never heard of him, but that sucks.” For the most part, those are the reactions I received. Except one.

This is that exchange.

“Oh, I’ve never seen that.”

“… They made a movie out of it. But it’s a book. I’m talking about the guy who wrote it. It’s a kid’s book.”

“No, I don’t read that stuff.”

“It’s a really popular kid’s picture book. They read it in school’s all the time.”

“No, really, I don’t read things like that.”

Each time, the words were said with a sneer. It was very nearly a hateful sneer, and this isn’t the first time I’ve gotten it. When I mentioned wanting to go see The Hunger Games, to see if it matched the book, I got the sneer. Whenever I mention a book I may be reading, I get the sneer. The Handmaid’s Tale? Sneer. The Avengers movie? Sneer.

The most messed up part of this is: this girl watched Twilight. But she didn’t watch it because she was a fan. She didn’t watch it because she was passionate about it. It’s obvious she watched it because it was popular and she’s a follower.

There are certain people who are so sheltered and so prejudiced in their opinions (and I’m not mentioning names here specifically because I’m not fond of libel suits and this paragraph does not necessarily relate at all to the person mentioned above, just to be perfectly clear) that they can’t see anything else. It’s such a narrow scope.

Like the girl who doesn’t read fiction because she “doesn’t believe in make believe” and only wants to hear about things that happen “in real life”. Well, good luck with all those serial killer biographies then. I’d much rather read about fantasy monsters than real ones. Like the guy who doesn’t read about vampires or zombies because “they’re stupid”, not realizing and not willing to hear that these creatures are metaphors for humanity’s own darkness. Not wanting to believe that genre fiction can say anything true or real.

Well, genre fiction is true. It’s more real most of the time then any crappy Nicholas Sparks book you could pick up. The Belgariad taught me values. The Rowan showed me that women can be more than baby-making machines — though there’s no harm in being that *and* saving the world while you’re at it. I Am Legend taught me that there’s two sides to every story. The Dark is Rising and A Wrinkle in Time taught me that science and truth and good can triumph over evil. The Wheel of Time brought me out of one of the darkest times in my life.

I could name dozens more. I bet you could too.

So all I’m saying is… If you’re one of those people who maybe wouldn’t read this or see that or enjoy whatever? Just unclench. Open your mind. Be willing to see value where maybe you didn’t expect it before. And if you want to be friends? Don’t fucking sneer at me.

Apr 292011
 

I said in a recent review that I would come back and tell the story of how I came so late to the Retrievers novels and Laura Anne Gilman‘s Cosa Nostradamus world.

Retrievers #1

It’s really quite simple and easy, but if you’re curious, here is Kiara’s Guide to Missing Out On Really Great Books™ .

  1. Hold tight to your tropes.
    • When I first picked up Staying Dead back in 2004 or 2005, I was really big into Laurell K Hamilton’s Anita Blake series. (We’re all youthful and naive at one point or another.) The genre was just getting big on vampires and werewolves and kick ass chicks in leather pants. Staying Dead had none of these things. Here was a book with a nervous heroine whose “super power” was being ignored. What kind of kick ass chick was THAT?
  2. Scoff at anything outside the “norm”.
    • Electricity as a magic power? That was just too… normal… to be fantasy. Fairies that weren’t tall and coolly elfin and romantically aloof? A heroine who not only had never killed anyone – or even beaten anyone up, from the look of it – but who was afraid of guns?
  3. Dis the romance. Overlook the other relationships.
    • One of the major elements, I think, in the Cosa Nostradamus series is the relationships. Sure, Wren and Sergei have “a thing” blossoming, and that’s the only place I looked at first. “Romance,” I thought to myself, disgustedly. “Who has any use for a heroine who can’t even figure out her love life? Or one who even NEEDS a love life?” But the beauty of this series is that it looks at the ways different people interact with one another. I mean – I’m sure the author didn’t give her main character the ability to be overlooked because she thought it would be FUNNY, you know? Sure, it’s useful for a thief, but what does it do to the person inside - the one who’s being ignored? That’s just one of the incredibly subtle ways that Gilman makes a statement in this series.
  4. Dismiss anything unique as “silly”.
    • A demon who looks like a polar bear? I admit it, I scoffed. Sure, it was cutesy. But he was supposed to be a “fucking demon” (to quote Jason Lee in Dogma). Never mind that this gives a character who could very easily become one dimensional a depth and richness that moves his story from trite to significant. No one takes a monster who looks like a cuddly stuffed animal seriously, after all. So neither did I; I didn’t look any deeper.
  5. Don’t give a decent book a second chance. Or even a first chance, if you can help it.
    • I’m ashamed to admit that I only read Staying Dead a second time because I won a signed copy in a contest and – after months of seeing it still sitting on my shelf – I guiltily decided that I’d better at least READ the damned thing before I found another home for it*. That, and because I agreed with so much of what the author was saying on her website. SURELY, if I liked her non-fiction blogging so much, there must be SOMETHING to like in her fiction too, right? So I decided to read it again.

This was in fall of 2010 and I was in a much different place than I had been. When I first read these books, I was single and bitter about it. I was lost, lonely, and was just starting to gain back some of the confidence and self-esteem that had been destroyed by a bad relationship. Now, I have been happily married for a handful of years and have learned to say things like “No” and “I don’t need you in my life”. Back then, I was happy with a two-dimensional heroine who had what I thought I wanted in life (ruthless ambition, a pair of leather pants, and the power to make sure no one ever hurt her again). The more mature me of now has decided she’d like a little real life (a little moderation, a bit more than a wee taste of fun, and most definitely no chafing from leather pants) in her fantasy, please, kthxbai.

Moreover, now that I have grown a bit older (no comments from the peanut gallery, please) and have begun to take myself more seriously as a writer, I can look deeper into the story and see the grace and finesse. Now, I can appreciate Gilman’s obvious experience as an author and what she’s trying to do as an artist. I had previously (idiotically) been dismissing the very things that make this series so interesting and unique. I’m now three books into the series and I’m waiting to get my hands on the fourth. The only reason I took a break is because my TBR shelf was giving me sullen stares when it thought I wasn’t looking.

So, kiddies, don’t be like me. Just because you’re not in English Lit anymore and just because genre novels aren’t the usual college fare doesn’t mean that you have to turn your brain off when you’re reading a novel. (Although that’s fun sometimes, too!) So pay attention, be on the lookout, and don’t forget to eat your Wheaties. Oh, and give the Retrievers a look. You might be as surprised as I was on your first (or second) time through.

*And in case you’re wondering: no, you can’t have my copy. I’ve changed my mind. It’s not going anywhere.

 

Sep 212010
 

These are writers’ resource links I’ve found helpful and/or interesting for August 14th through September 19th:

Aug 142010
 

These are writers’ resource links I’ve found helpful and/or interesting for July 18th through August 14th:

Jul 182010
 

These are writers’ resource links I’ve found helpful and/or interesting for June 9th through July 18th:

Jun 132010
 

These are writers’ resource links I’ve found helpful and/or interesting for June 9th through July 18th:

Dec 102009
 

These are writers’ resource links I’ve found helpful and/or interesting for December 6th through December 10th:

Nov 262009
 

These are writers’ resource links I’ve found helpful and/or interesting for November 16th through November 26th:

Nov 112009
 

These are writers’ resource links I’ve found helpful and/or interesting for November 4th through November 11th:

Oct 302009
 

“I’ve been thinking about writing a novel. But I just haven’t found the time.”

How many times have writers of all ages, ability, and publishing status heard these words or something like them*? This is probably the most irritating statement you could ever make in a writer’s presence. (At least, I can’t think of a worse one. Even a bad review is better than that.)

I am a (mostly) unpublished writer. And even I have heard this.You might as well just punch me right in the gut. It would have the same effect.

You see, writing a novel is a job. It’s a skill. It’s something that writers work very, very hard for. It’s not something one can complete in a day, or a week, or even a month**. In order to write well, one must do even more than that – a writer must complete one or two or seven or more novels before they come close to being publishing ready.

Most people believe writing is easy. And in every day life, it mostly is. Anyone can scratch out a note, make a list, or dash off an email. That lulls most ordinary people into the perception that writing a novel would be easy. It’s just a long letter, right?

Then again, I can run, but that doesn’t convince me that I could be a professional athlete. I can do a bit of 3D animation, but I wouldn’t just decide one day that I was going to go work for Pixar, either. I can tell you the symptoms of the common cold but that doesn’t automatically give me the knowledge and dedication that it takes to become a doctor. Why in the world do people remain convinced that absolutely anyone could write a novel and get it published with a wave of their hand – “if [they] only had the time”, of course?

“I could make up a great story like that, man!” Said with a snap of the fingers.And maybe you could. Far be it from me to try to crush anyone’s dreams. In fact, the first couple of times I heard this presumptuous statement, I tried to be encouraging and excited for the speaker. I pointed them toward NaNoWriMo and bestowed heartening words that I thought might help them toward their professed big dream.

After dealing with two or three of these people, though, I realized something. These people have no intentions of ever sitting down to write. They have absolutely no concept of the amount of work it takes to actually do the thing that they’re talking about. Nowadays, I just give those people a pained smile and change the subject.

It’s the equivalent of someone who knows the basics of folding a paper airplane deciding they are going to build a Boeing jet in their back yard. Yeah, they might be able to do it one day. But right now, they have no idea of the hard work, the dedication, the blood-sweat-and-tears, the money, the long hours, the putting-off-of-doing-the-dishes, the self-doubt, the despair, the thrill, the joy, the heartache, and the team of devoted professionals it takes to construct a whole new world one tiny wheel-sprocket-nut-bolt verb-adjective-noun-metaphor at a time and then to release the whole beautiful thing into the wild.

I’m not saying don’t do it. In fact, if that’s your dream, then you shouldn’t let me or anyone stop you. But please, for the sake of my sanity, don’t dismiss it as a simple, easy thing to do. It’s not.

*Rant inspired by the wise, hilarious, and read-worthy Patrick Rothfuss.

**Yes, I do know about NaNoWriMo. I love it. I have participated every year since 2004. This DOES NOT mean that your NaNovel is ready to go out on submission to agents or editors on December 1st.

Sep 272009
 

These are writers’ resource links I’ve found helpful and/or interesting for September 26th through September 27th:

Sep 232009
 

These are my links for September 21st through September 23rd:

Sep 212009
 

Sometimes, I think I’m married to the smartest man alive. Don’t tell him that, of course. I’d never hear the end of it if he knew I thought that, even sometimes.

It’s true, nevertheless. I’ve taken up an attempt at knitting the last day or so. I’ve known how to do very basic crochet since I was a youngster, but the two hands needed for knitting have always looked sort of formidable to me. However, I took the plunge, bought some needles and yarn and looked up a pattern and some videos on the internet.

The attempt … has not gone very well.

I was ready to give up. Until my husband said something that I realized applies not only to knitting, but to just about anything. He said (and I’m paraphrasing here):

If you know ahead of time that you’re going to suck, then you might as well go ahead and suck. That frees you up to do just about anything you can think of with it. You don’t have to worry about trying to be great anymore. That’s the power of kamikaze. Why do you think it always worked?

Putting aside the statistical impossibility of kamikaze “always” working, he does, in fact, have a point. It’s rather freeing to think that, whatever you do, it’s bound to be terrible. Because then you don’t have to worry about being perfect.

What was it about kamikaze fighters that made them so formidable? I think it was the fact that they were willing to do anything – even die – to accomplish their goal. Are you willing to do that for your writing?

Not die, of course – because to die with stories untold would be a terrible waste. But are you prepared to get up early or stay up late to get those words on paper? Are you okay with skipping a shower or leaving those dishes to languish in the dishwasher for another day? Can you give up one hour of TV to dedicate it to accomplishing your goal?

Translated into your writing, kamikaze also means that you shouldn’t worry about always doing the correct thing every time. It means not every word has to be perfect on the page. Not every idea has to be ultra original or have layers of meaning. Being terrible actually sounds rather like a good idea to me.

It means you don’t have to worry about always showing instead of telling. It means you can feel free to use things that don’t make sense. Purple bunnies? Check. A kick-ass female lead who doesn’t fall in love with the male lead? Got it. How about the oldest trope in the book? (Farm-boy-turned-king who saves the world, anyone?) Go ahead and use it.

Have fun with it. Write crap. Being perfect is over-rated anyway.

I’ll leave you with a quote (the source of which I am no longer clear on, as it’s been with me for quite some time):

To be perfect, simply: say nothing, do nothing, be nothing.

I’ll tell you truly – I’d rather be crappy than nothing. How about you?

Aug 302009
 
y a writer? I’m not published – unless you count a sad POD first novel that I wouldn’t show to my own grandmother. I don’t even get to sit at my laptop and live inside my fantasy worlds for hours at a time. I have a day job and a family to support. I don’t write all the time or even very consistently most days. Very often, I don’t feel much like a writer at all.
So why do my instincts shout that I am, for better or for worse, a writer first and foremost above almost all else?
Well, I’ve been writing ever since I could remember. My very first story was about a young monster who got in trouble with his parents for not being scary enough. I think I still have it lying around somewhere. More than that, something in the written word just calls to me. Or maybe it’s just that I’ve had stories in my head so long that my choice is to either write them down or consider myself insane.
When I was a teenager, I ran across this quote from R.M. Rilke:
“Find out the reason that commands you to write; see whether it has spread its roots into the very depths of your heart; confess to yourself whether you would have to die if you were forbidden to write. This most of all: ask yourself in the most silent hour of your night: must I write? Dig into yourself for a deep answer. And if this answer rings out in assent, if you meet this solemn question with a strong, simple “I must,” then build your life in accordance with this necessity”.
It changed my world. Here, finally, was a definition I could fit into. I had never been the outgoing, endearing school girl that I so admired as a child. I couldn’t be the smartest, or the fastest, or the prettiest. I daydreamed. That is what I did. I emersed myself in other people’s stories and tried to use those worlds to make sense of the one I was in. When they didn’t quite fit, I started writing them myself. Now, I finally had a word for what I was: a writer.
It’s been many years since that youthful hope, however. I’ve nearly given up on the whole thing at least a dozen times over the years. The doubts plague you. Am I good enough? Do I have anything significant to say? Can I touch the hearts and minds of my readers the way that the books I’ve read did for me? Then each time I realize that it doesn’t matter, because I simply can’t not write. It’s no more a choice for me than breathing. When I don’t write, I become a zombie stumbling through my daily routines. Life loses it’s luster and I forget the reason I get up in the mornings. It’s a spark of happiness so small that I don’t even realize it’s there until I’ve let it die. And it’s hard, so hard, to get the flame burning again.
But what choice do I have? I’m a writer, dammit. It’s what I am.
I still have a lot to learn. Thankfully, the internet is a useful tool for this. Later, I’ll post for you some of the best writer’s resources I’ve found on the web. For now, I’ll leave with some more modern and equally important advice from CE Murphy. “[I]f I could be content, even happy, doing something that didn’t pile up the rejection letters, that didn’t require spending years of my life at a keyboard when I could be doing something else, if I could get ten or twenty or thirty rejection letters and say, “No, this isn’t worth it,” then it wasn’t worth it. I would be happier doing something else. If I could walk away from writing, I should, because it would make for an easier and more comfortable life.”  http://mizkit.com/index.php/2009/06/19/magical-words-who-pays-whom/
So if you can walk away, do it. A writer’s life isn’t glamorous. It isn’t fame. It’s sitting alone in front of a keyboard, realizing you’ve not done the dishes in three days and you haven’t showered in almost as long. It’s neglecting your real-life friends while the ones in your head clamor to be released. It’s being rejected by agents, editors, and eventually readers – and that’s the best case scenario. There’s a darn good chance that you’ll never get past the agent stage.
But… If you’re like me – if you’re going to write anyway, regardless of what anyone says… Well, then welcome to the club.

Sure, I have a day job. Most writers have to keep a day job. It’s a long, difficult road to making a living off of a writing career. But that’s another post entirely. If someone were to ask me what I do, I’d say that I work in a pharmacy.  But if you were to ask me what I was, the first thing out of my mouth would be, “I’m a writer.”

Why a writer? I’m not published – unless you count a sad POD first novel that I wouldn’t show to my own grandmother. I don’t even get to sit at my laptop and live inside my fantasy worlds for hours at a time. I have a day job and a family to support. I don’t write all the time or even very consistently most days. Very often, I don’t feel much like a writer at all.

So why do my instincts shout that I am, for better or for worse, a writer first and foremost above almost all else?

Well, I’ve been writing ever since I could remember. My very first story was about a young monster who got in trouble with his parents for not being scary enough. I think I still have it lying around somewhere. More than that, something in the written word just calls to me. Or maybe it’s just that I’ve had stories in my head so long that my choice is to either write them down or consider myself insane.

When I was a teenager, I ran across this quote from R.M. Rilke (which is not the exact quote I ran across but conveys the meaning; and this is the original statement anyway):

“Find out the reason that commands you to write; see whether it has spread its roots into the very depths of your heart; confess to yourself whether you would have to die if you were forbidden to write. This most of all: ask yourself in the most silent hour of your night: must I write? Dig into yourself for a deep answer. And if this answer rings out in assent, if you meet this solemn question with a strong, simple “I must,” then build your life in accordance with this necessity”.

It changed my world. Here, finally, was a definition I could fit into. I had never been the outgoing, endearing school girl that I so admired as a child. I couldn’t be the smartest, or the fastest, or the prettiest. I daydreamed. That is what I did. I immersed myself in other people’s stories and tried to use those worlds to make sense of the one I was in. When they didn’t quite fit, I started writing them myself. Now, I finally had a word for what I was: a writer.

It’s been many years since that youthful hope, however. I’ve nearly given up on the whole thing at least a dozen times over the years. The doubts plague you. Am I good enough? Do I have anything significant to say? Can I touch the hearts and minds of my readers the way that the books I’ve read did for me? Then each time I realize that it doesn’t matter, because I simply can’t not write. It’s no more a choice for me than breathing. When I don’t write, I become a zombie stumbling through my daily routines. Life loses it’s luster and I forget the reason I get up in the mornings. It’s a spark of happiness so small that I don’t even realize it’s there until I’ve let it die. And it’s hard, so hard, to get the flame burning again.

But what choice do I have? I’m a writer, dammit. It’s what I am.

I still have a lot to learn. Thankfully, the internet is a useful tool for this. Later, I’ll post for you some of the best writer’s resources I’ve found on the web. For now, I’ll leave with some more modern and equally important advice from CE Murphy. “[I]f I could be content, even happy, doing something that didn’t pile up the rejection letters, that didn’t require spending years of my life at a keyboard when I could be doing something else, if I could get ten or twenty or thirty rejection letters and say, ‘No, this isn’t worth it,’ then it wasn’t worth it. I would be happier doing something else. If I could walk away from writing, I should, because it would make for an easier and more comfortable life.”

So if you can walk away, do it. A writer’s life isn’t glamorous. It isn’t fame. It’s sitting alone in front of a keyboard, realizing you’ve not done the dishes in three days and you haven’t showered in almost as long. It’s neglecting your real-life friends while the ones in your head clamor to be released. It’s being rejected by agents, editors, and eventually readers – and that’s the best case scenario. There’s a darn good chance that you’ll never get past the agent stage.

But… If you’re like me – if you’re going to write anyway, regardless of what anyone says… Well, then welcome to the club.